![]() Without getting too spoilery (though we’ll do that below), the film sharply pivots from a relatively straightforward narrative into a labyrinthine meditation on loneliness, alienation, loss of identity, and the nature of reality itself. ![]() He lives in an apartment that could’ve belonged to Patrick Bateman, casually sleeps with and discards beautiful women (including Cameron Diaz’s Julianna Gianni), and throws lavish birthday parties attended by Steven Spielberg.ĭavid’s seemingly charmed life slips through his fingers, though, after he falls hard for Sofia (Penélope Cruz), recklessly abandons Julianna, gets in a disfiguring car accident, and loses everything that once mattered to him: his power, his charm, his friends, his empire, his Tom Cruise face. A remake of Alejandro Amenábar’s 1997 Spanish film Abre Los Ojos, Vanilla Sky follows David Aames (Tom Cruise), a fabulously wealthy New Yorker who inherited his dad’s publishing empire and essentially does whatever the fuck he wants. The director reflects on his famously divisive sci-fi thriller, its ideal ending, overlooked easter eggs, and the new scripts he’s working on in quarantine.Ĭameron Crowe’s famously divisive 2001 sci-fi thriller Vanilla Sky has been called a lot of things over the years: an “ incoherent jumble,” “ tremendously vivid,” “ self-destructive cinematic havoc,” “ scrupulously moral.” As an unapologetic appreciator of this big, messy film, I’d like to add another adjective to the list: prescient.
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